Thursday 17 May 2018

The Theory


At the first glance of Clark’s buildings, the word chaos penetrated me. 




Through the representation of splitting segments and a sense of figure standing on a demolished land in his work, the form appears to be a monster. This awkward beauty reminds me of Aldous Huxley in his Brave New World: “But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”  

It appears to me the real danger and the juxtaposition of traditional architecture. Observing later architects such as Luis Kahn and Frank Gehry, the bald usage of geometry penetrating the walls and asymmetric chaotic presentation of sculptural forms can be linked to Clark. 


They as a combination further arouse the idea of embracement. It is the interconnections of different genres of art and forms that brakes the constraints and generate the variety. And it is this rebellion entanglement that sculptures the sometimes slight excitement and sometimes real impact.




Sunday 25 March 2018

3 Short Films


1:sections




2: plans
3. stairs

Final Model

Level 1: Gucci
Ground Floor: Show Room
Underground: Revival Cycles



1. Top View
2. Elevation

3. Elevation

4. Elevation

5. Elevation


Link to 3D Warehouse:





Final Section


36 Textures

36 Textures


1.      Isolation
2.      Abstract
3.      Fragmented
4.      Blossom
5.      Russian
6.      Solitude
7.      Appear
8.      Curve
9.      Mutation
10.   Glance
11.   Encounter
12.   Entanglement
13.   Invisible
14.   Transparent
15.   Crack
16.   Contrast
17.   Storm
18.   Radiation


19.   Disappear
20.   Flexible
21.   Odyssey
22.   Dynamic
23.   Almost
24.   Iconic
25.   Stretch
26.   Square
27.   Balance
28.   Mysterious
29.   Universe
30.   Royal
31.   Sakura
32.   Emerge
33.   Snow
34.   Despair
35.   Nightmare
36.   Endanger